Tuesday, March 4, 2014

Hey everybody! I just updated the gallery with 1,066 HD screen captures of Stana from tonight’s all new episode of “Castle.” We got another Kate-centric episode, which I absolutely loved. What did you guys think of the episode? Leave a comment or tweet us to share your thoughts. If you haven’t seen the promo for the next episode, you can check it out here. Enjoy!

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Castle > Season 6 > Screen Captures > 6×17 – In the Belly of the Beast

Tuesday, March 4, 2014

Check out the promo for the next all new episode of “Castle.” The next episode unfortunately doesn’t air until March 17th, which is 2 weeks from now. In the meantime I’ll be updating the site with a bunch of new (and old) stuff! Screen captures from tonight’s episode will be up soon. Enjoy!

Monday, March 3, 2014

Castle’s recent string of rosier episodes is about to take a nosedive into much darker territory.

On Monday’s episode, “In The Belly of the Beast”(10/9c, ABC), Beckett (Stana Katic) gets pulled into what is supposed to be a simple undercover operation. But naturally, things quickly get much more complicated — and dangerous.

“Beckett thinks she’s pretending to be one person, but discovers that [the criminals] think that she’s somebody else completely,” creator Andrew W. Marlowe tells TVGuide.com. “She has to navigate those waters and figure out who she’s supposed to be. And any misstep could get her killed.”

Taking a turn for the dramatic is nothing new for Castle, which for many seasons has featured a high-stakes midseason two-parter. But because Season 6 opened with a two-part episode, Marlowe decided to take a different approach. “We wanted to have a big episode really had a chance to showcase the talents of one of our actors,” he says. “This year is an opportunity for us to showcase Stana as a complete and formidable actress and to take her on a journey in 42 minutes. The colors that she plays in this are really remarkable. We wanted a big jeopardy episode that was compelling, that allowed us to look at our characters in a different way and put them into an organic predicament where the stakes just kept getting more and more heightened.”

And Katic was more than up for the challenge. “I was excited. It’s a fun story to play,” she says. “It really takes the character through the hero’s journey. This character is facing one of the greatest injustices of her life.”

And she doesn’t just mean the harrowing ordeal Beckett goes through during the botched undercover operation. The story takes several twists and turns, including the return of some faces that will be familiar to fans who have followed Beckett’s series-long investigation into her mother’s murder. Katic says this new chapter shows just how far Beckett has come throughout the series — and how much her relationship with Castle (Nathan Fillion) is responsible for her growth.

“The transition for the character over the six seasons is that she moved out of being an individual who reacts from emotion,” Katic says. “She’s become more lethal [because] she’s capable of accessing a situation, maintaining her cool … and finding justice within the confines of the law. Part of the reason that she’s willing to do that is because she’s falling in love and she has something to live for. She has someone to try to build a future with.”

But why then would Beckett risk that future by taking on this undercover operation? After all, as seen in the clip below, Captain Gates (Penny Johnson Jerald) gives Beckett the option of bowing out.

“No matter what, she’s always going to fight for the greater good and for the victims,” Katic says of Beckett’s choice to trudge on. “I think in that case, it seemed like it was going to be an easy fix. She felt like she would be home for dinner, as she says over and over again. And it turns into something a lot darker, without her even being able to foresee it. You can’t change your driving force. If she did something different, then she wouldn’t be the Beckett that Castle fell in love with, and she wouldn’t be the Beckett that the audience fell in love with. She’d be someone else.”

But after the events of the episode, Beckett could indeed be a changed person. For Marlowe’s part, he says he will always enjoy dipping back into the well of Beckett’s past in order to carve a new path for the future.

“Beckett was always initially the character with the secrets and the character with the backstory,” he says. “It was the thing that defined the character in the beginning — the reason why this character became a cop, the reason why this character does what she does. I’ve always had the sense that we had some really great mythology to play with. It’s been a really great journey for us, and it’s really fulfilling to continue to explore that.”

Castle airs Monday at 10/9c on ABC.

Source – TV Guide

Sunday, March 2, 2014

This Monday on Castle (ABC, 10/9c), Beckett is abruptly called on to help the NYPD’s narcotics division with a seemingly simple sting, by posing as a low-level drug courier to reel in a bigger fish. But when things don’t go at all as planned, suffice it to say she won’t be home in time for dinner with Rick, as promised.

Stana Katic shared with TVLine a preview of what she calls Castle‘s darkest hour, yet one that in turn offers “really special” insight into bride-to-be Kate’s mindset. Also, the actress’ thoughts on Kate and Alexis’ recent heart-to-heart and whether we are truly heading for a wedding.

TVLINE | “In the Belly of the Beast” is quite a departure for the show. Did you get any kind of a heads up that it was coming down the pike?
There was a teeny tiny bit of a heads up, just that they were going to do something that’ll be a little bit more intense on my character, that the workload was going to get a little heavy as well.

TVLINE | And what was your reaction as you actually went through the script?
I was glad…. The show always kind of lies somewhere in between comedy and drama, and being that this is as dark as the show can go, it was extraordinary to do that dance with some of the core group, like Rob Bowman who is one of our executive producers but also a regular director and one of the main elements in the editing suite. And to work on a script by Andrew [W. Marlowe], who of course is the creator and exec producer, along with David Amann, who is one of our exec producers and a collaborator with Andrew…. It’s just really cool.

TVLINE | The end result is very atmospheric. Like, if you told me this was some piece of German cinema, I would almost believe you.
[Laughs] That’s Rob. This was a chance to play with someone who’s excited about features and loves filmmaking, and Bowman always pushes himself and the whole crew, and we love it. We’re inspired by working with him. There’s nothing better than dancing in filmmaking with someone that is willing to go all in, and he’s definitely one of those creatives.

TVLINE | To be clear, though you and I playfully talk bout “badass Beckett,” this is not about her being fierce in the way of, you know, hand-to-hand combat or pistols blazing. This is a different kind of intensity happening to her.
It is, yeah. She gets in over her head, in many ways. She starts off the episode thinking that she’s going to help another law enforcement branch out by going undercover, that it’s going to be done within a few hours and then she’ll be back home. And it gets a lot darker, very quickly. We had some really wonderful guest cast. Kenny Johnson (The Shield) is phenomenal; I had a blast working with him. He delivered something physical to me all the time…. It felt like everyone was committed in a way like, “This is a one-and-done experience, so let’s give it our all.”

TVLINE | One thing I found myself asking as I watched was: Do you think Season 1 Beckett could have pulled this off? Could she have endured this?
No way. I think that she maybe had the physical stamina to get through some of it, but — and this is a part of her evolution over the past six years — at some point she became less reactive, less emotional. Triggers aren’t the same any more. She’s more lethal because she’s able to contain those emotions and look at things a little bit more objectively. Of course, there’s a breaking point in this episode with [spoiler]. But you know what? She’s chasing death no matter what, so she’s going to fight for her last breath.

TVLINE | What I found interesting is that although Rick and Kate are physically separated for a good chunk of the hour, this episode probably has one or two of the most deeply romantic moments for them. For one, I’m thinking about the “goodbye” letter Kate writes to him…. Do you agree?
Yeah. I do. I do. I mean, nothing makes better love story stuff than facing your immortality, right? Nothing gives you better sex scenes than facing your own mortality. [Laughs]

TVLINE | The letter in particular is nice because they could have easily just skipped that beat. But the fact that they showed her sitting down to write it, and taking such care to hide it for him to maybe find later, was pretty powerful.
I think so, too, because we don’t always get a chance to have an eye on Beckett’s inner monologue. Castle has his mom, and his daughter sometimes, so there are opportunities for him to some of his inner monologue. At one time we had Beckett’s psychologist, but we don’t really have that at this point. [Kate and Rick] now kind of use each other to express their inner monologues, and we’ve done a really sweet kind of thing of using the regular relationship blocks to look at our lifetimes and our happenings in the past few episodes, but we’ve never had a moment to understand the depths of that affection — especially for Kate, who I believe is complex and is capable of extremely deep emotion. She says that in one of the earlier seasons, “No, I’m the one-and-done type,” so committing herself to someone like Rick means that she’s all in. Having a chance to express that on-screen through that inner monologue and the letter was really special.

TVLINE | Now looking back on the season-to-date: Have you enjoyed playing the bits of wedding planning, seeing the characters’ future slowly crystallize?
I have. I enjoy it because it also showcases another element of our relationship, the sweetness. And I think it’s very relatable for a lot of people that have had to go through the wedding planning rigmarole. Also, it’s outside of the whole procedural element of our story, so it’s nice to kind of branch into a different field. Castle, of course, gets to be in storytelling mode all the time, but Beckett has to be a bit more on point when she gets to work. So this lets us see the other side of that relationship at play, at home or when they’re off campus.

TVLINE | Kate seems to have her wedding dress, she and Rick seem to have “their song” picked out, but some the fans are thinking that maybe that’s misdirection — that if and when the big day comes there might be a different dress, that it won’t necessarily be that song. Do you think Johanna maybe left a gift behind?
Wouldn’t that be beautiful? What if Jim came in with a box…. Maybe!

TVLINE | You previously told me having Kate and Alexis kind of address their relationship wasn’t necessarily mandatory. Nonetheless, were you glad to touch on it in last week’s episode?
You know, I didn’t think, “Oh, this has to be addressed.” But I can see why the writers thought it might be something that they needed to look into. And I could see why audiences probably felt like it needed to be looked into. I’ve always felt that Alexis is a grown woman and she has an amazing mom that we’ve met a number of times, so Kate’s relationship with her always has to be just very respectful and understanding, because Alexis is the No. 1 girl in Castle’s life. That’s his daughter, and that’s a special place, so it doesn’t matter what happens in life, children come first. Kate, being the kind of character that she is, has a strong respect for that kind of family dynamic and would never want to interfere. If she can be a friend, if she can offer maybe another perspective at times, just like any friend would, I think that that’s great — and that’s maybe the role she can hold if any in that relationship, to just be a sounding board, be a bud. Just like Lanie is for Kate, you know?

TVLINE | And before we go, I pretty much have to ask: What would you say the current Vegas odds are on the wedding actually happening this season? After all, they did move up their timetable to possibly as early as “spring”….
I don’t know…. But I think it’s going to happen. It’s got to!

Source – TV Line

Saturday, March 1, 2014

Stana Katic hit the red carpet at the 2014 Film Independent Spirit Awards held at the beach on Saturday (March 1) in Santa Monica, California. You can check out 121 MQ and HQ photos of Stana in the gallery. She looks amazing, doesn’t she? More photos will be uploaded as they arrive. Enjoy!

Gallery Link
Public Appearances > Events from 2014 > Mar 01: 2014 Film Independent Spirit Awards

Friday, February 28, 2014

Check out the first sneak peek from Monday’s all new episode of “Castle,” titled ‘In the Belly of the Beast.’ Enjoy!

Friday, February 28, 2014

I‘m extremely excited about Castle‘s episode set in the 1970s! Does the case revolve in that particular decade (á la “The Blue Butterfly”) or are we actually going to see flashbacks of Kate and Rick‘s early years? –Martina
The answer is… neither! As Stana Katic explained to me the other day, “In order to get information from one of our characters, we have to pretend that we’re in that era — because he believes that he’s still in that era.” But does that mean groovy threads and ‘dos for all? “I don’t know how extreme they’re going to go,” Katic answered. “But they’ve been playing around with, like, different hair and stuff — for the guys, mostly.”

Source – TV Line

Monday, February 24, 2014

Beckett is recruited to assist on a Narcotics investigation, but a routine mission turns deadly when an undercover operation goes array. To survive, Beckett must engage in a battle of wits against some of the most dangerous men in the New York underworld — including a powerful enemy from her past, on “Castle,” Monday, March 3rd on ABC.

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"Castle" (2009 - Present)

Stana Katic as . . . Kate Beckett
After a serial killer imitates the plots of his novels, Richard Castle gets permission from the Mayor of NYC to tag along with an NYPD homicide team for research purposes.
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Eric Lazard, a heartbroken former college football star, gets in over his head with a dangerous Florentine sport and an alluring local woman.
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